Wolf interval
When twelve notes to the octave are tuned according to meantone temperament, one of the fifths will be much sharper than the rest; if the meantone fifths are tuned from Eb to G#, an anomalous fifth will be the interval from G# to Eb. An interval from G to E is a major sixth; flattening E or sharpening G, and so for instance going from G# to E, gives a minor sixth. The interval from G# to Eb may be regarded as a doubly flattened sixth, or diminished sixth. When twelve notes to an octave are tuned to meantone, intervals in remote keyss will sometimes involve augmented or diminished versions of the usual intervals for that chord, with the pitch changing though the keyboard pattern remains identical. Because a diminished sixth used as a fifth supposedly howled like a wolf, it came to be called the wolf fifth. By extension, any interval which is regarded as in like manner howling may be called a wolf.The average value of the twelve fifths must equal the 700 centss of equal temperament. If eleven of them have a flattened meantone value of 700-ε cents, the wolf will equal 700+11ε cents. In terms of frequency ratios, the product of the fifths must be 128, and if f is the size of the meantone fifths, 128/f11 will be the size of the wolf. In 1/4-comma meantone, the meantone fifth is of size 51/4, 3.422 cents flatter than 700 cents, and so the wolf is 37.637 cents sharper than 700 cents, which is 35.683 cents sharper than a just fifth of size exactly 3/2, and this is the original howling wolf fifth. A fifth of the size Mozart favored, at or near the 55-equal fifth of 698.1818 cents, will have a wolf of 720 cents, 18.045 cents sharper than a justly tuned fifth. This howls far less acutely, but still very noticeably.
We likewise find varied tunings for the thirds. Major thirds must average 400 cents, and to each pair of meantone thirds of size 400-4ε cents we have a sharp third (or diminished fourth) of 400+8ε cents, leading to eight thirds of size 400-4ε cents and four of size 400+8ε cents. Three of these form major triadss with meantone fifths, and one triad is the wolf major triad, with a wolf fifth and a sharp major third. Similarly, we obtain nine minor thirds of 300+3ε cents and three flat minor thirds Or augmented seconds) of 300-9ε cents. In 1/4-comma meantone, the flat minor thirds are only 2.335 cents sharper than a subminor third of size 7/6, and the sharp major thirds, of size exactly 32/25, are 7.712 cents flatter than the supermajor third of 9/7. Meantone tunings with slightly flatter fifths produce even closer approximations to the subminor and supermajor thirds and corresponding triads. These thirds therefore hardly deserve the appellation of wolf, and in fact historically have not been given that name.
In Pythagorean tuning, we have eleven justly tuned fifths sharper than 700 cents by 1.955 cents, and hence one fifth will be flatter by eleven times that, which is a Pythagorean comma flatter than a just fifth. A fifth this flat can also be regarded as howling like a wolf. We also now have eight sharp major thirds, and four major thirds only 1.954 cents flat.
The wolf can be tamed by adopting equal temperament or a well temperament. The very intrepid may simply want to treat it as a xenharmonic interval; depending on the size of the meantone fifth it can be made to be exactly 20/13 or 17/11.
With meantone fifths running from Eb to G#, the I-IV-ii-V-I cadence in the key of G# major becomes the chord progression G#-C-Eb, C#-F-G, Bb-C#-F, Eb-G-Bb, G#-C-Eb. The Ogg Vorbis file 
