The Music of Wisconsin reference article from the English Wikipedia on 24-Apr-2004
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Music of Wisconsin

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Music of the United States
History (Timeline and Samples)
Before 1940: Synthesis of Sources
1940s and 50s: Invention of Popular Music
1960s and 70s: Creation of a Counterculture
1980s to the present: Diversification of Styles
Ethnicities
African American
Native American music (Inuit music>Inuit and Hawaiian)
Latin (Tejano and Puerto Rican)
Other immigrants (Jewish, European, South and East Asian, modern African, Middle-Eastern and Cajun and Creole)
Local music
AL - AK - AR - CA - CO - CT - DC - DE - FL - GA - GU - HI - ID - IL - IN - IA - KS - KY - LA - ME - MD - MA - MI - MN - MP - MS - MO - MT - NC - ND - NE - NV - NH - NJ - NM - NY - OH - OK - OR - PA - PR - RI - SC - SD - TN - TX - UT - VT - VA - VI - WA - WV - WI - WY

Perhaps the most influential musical output of Wisconsin came from Port Washington, Ozaukee County during the 1920s, when Paramount Records released a series of blues and jazz recordings. Large-scale immigration for Europe in the 1930s led to the popularization of gallops, schottisches, waltzes, and, especially, polkas. Classical composers and conductors from Wisconsin include Hans Balatka, Hugo Kaun and Eugene Luening.

Punk rock

Probably the most famous punk band from Wisconsin was 1980s cult favorite the Violent Femmes, from Milwaukee. New Wave bands from Milwaukee included the Couch Flambeau and The Stellas, later better known as hardcore punk band Die Kreuzen. Milwaukee saw some other hardcore action, like Clitboys, but the scene soon died out and Die Kreuzen moved on to speed metal. Madison, Wisconsin spawned a more vibrant scene, beginning with Mecht Mensch and, later, Bucky Pope's Tar Babies. The Tar Babies tried without success to import go go from Washington DC. Later, the hardcore band Killdozer became an important indie rock group.

References

Blush, Steven. American Hardcore: A Tribal History. Feral House. 2001. ISBN 0-922915-717-7