The John Ireland reference article from the English Wikipedia on 24-Apr-2004
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John Ireland

John Ireland (August 13, 1879 - June 12, 1962) was an English composer.

Ireland was born in Bowdon, near Manchester, into a family of Scottish descent and some cultural distinction. His parents died soon after he had entered the Royal College of Music at the age of 14. He studied piano and organ there, and later composition under Charles Villiers Stanford. He subsequently became a teacher at the College himself, his pupils including Ernest John Moeran (who admired him) and Benjamin Britten (who found Ireland’s teaching of less interest). He also worked as organist and choirmaster at St. Luke’s Church, Chelsea, London. He retired in 1953, settling at Sussex for the rest of his life.

From Stanford, Ireland inherited a thorough knowledge of the music of Beethoven, Brahms and other German classics, but as a young man he was also strongly influenced by Debussy and Ravel as well as the earlier works by Stravinsky and Bartók. From these influences, he developed his own brand of "English Impressionism", related closer to French and Russian models than to the folk-song style then prevailing in English music.

Like most other Impressionist composers, Ireland favoured small forms and wrote neither symphonies nor operas, although his Piano Concerto is among his best works. His output includes some chamber music and a substantial body of piano works, including his best-known piece The Holy Boy, known in numerous arrangements. His songs to poems by A. E. Housman, Thomas Hardy, Christina Rossetti, John Masefield and Rupert Brooke are a valuable addition to English vocal repertoire. Due to his job at St. Luke’s Church, he also wrote hymns, carols and other sacred choral music.

Recordings

John Ireland himself made a few recordings. One has been released: the excellent Second Violin Sonata, with Albert Sammons, violin, on Dutton Labs CDLX 7103, from 1930. This disc also includes the first Violin Sonata, where Ireland accompanies Frederick Grinke. Ireland was an expert pianist but reluctant to perform in public; consequently, he recorded only four of his own works.

The complete music for violin and piano is collected on Hyperion 66853, with Paul Barritt, violin, and Catherine Edwards, piano. In addition to the two sonatas, this disc contains four short pieces: the Berceuse and Cavatina, both early works, the later Bagatelle, and an unpublished arrangement of The Holy Boy (originally for piano solo) from 1919. These musicians are competent and the sound quality is superior, but the composer’s own recording is more spirited and therefore preferable.

The Piano Concerto is a neglected masterpiece. Completed in 1930, it was first recorded in 1942 by the great British pianist Eileen Joyce. This has been reissued on CD on Dutton Labs CDAX 8001, conducted by Leslie Heward. The concerto has also been recorded by Eric Parkin on Chandos 8461 and Kathryn Stott on Conifer 15007. Joyce gives what is easily the best performance of the three, and Dutton’s transfers from shellac 78s are very clear.

Ireland’s most famous work for orchestra is the London Overture of 1936. It has been recorded by Richard Hickox on Chandos 7074, a solid collection of Ireland’s symphonic and choral works. This disc also features the young Bryn Terfel as soloist in the motet Greater love hath no man and These things shall be, written for the Coronation of George VI.

Eric Parkin has recorded a large selection of the solo piano works on three discs: Chandos 9056, 9140, and 9250. Parkin, who is a specialist in the music of Ireland, worked closely with the composer to develop his interpretations. His playing is fine and well recorded, and he is attentive to detail.

External links

The John Ireland Trust